In the manuscript, Coltrane writes that the “A Love Supreme” motif should be “played in all keys together.” In the recording of “Acknowledgement,” Coltrane indeed repeats the basic theme near the end in all keys, as if he were consciously exhausting every path. The names for each section are not on the manuscript, but Coltrane eventually called them “Acknowledgement,” “Resolution,” “Pursuance” and “Psalm.” “All paths lead to God.” The piece is made up of a progression of four suites.
If you click the image above and examine a larger copy of the manuscript, you will notice that Coltrane has written the same sentiment at the bottom of the page.
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